about

bio

MAGNETIC SPACE BUBBLE (Sophie Gentle Capshaw-Mack) is a neurodivergent artist who investigates the ontology of consciousness through her experimental practice. Her creative work has received support from the New York Foundation for the Arts (NYFA), United States Artists, and the United Nations International Computing Centre (UNICC), among others.

Creating installation-based artwork, fusing technology, environmental ethics, and philosophical speculation, MAGNETIC SPACE BUBBLE has exhibited her work across the globe. Her advocacy and creative pursuits have been featured in several media outlets including The Guardian, The Associated Press, and Baidu (百度). She currently lives and works in Seminole, Florida with her partner and two rescue dogs, Biscuit and Gravy.

She holds a Master of Public Administration in Environmental Science and Policy from Columbia University, where she was an Environmental Fellow at the School of International and Public Affairs (SIPA). She earned her Bachelor of Arts in Philosophy from the University of North Carolina at Chapel Hill on a full-tuition merit-based scholarship, graduating Phi Beta Kappa (top 1% of her class). While at UNC, she was awarded the Burch Fellowship and served as a Parr Center for Ethics Fellow.

artist

statement

"Guided by my neurodivergence, I investigate the ontology of consciousness through ecological and feminist motifs. I seek to unravel ingrained notions of hegemonic domination, binary logic, and anthropocentrism. To examine the liminal connections linking the mind, self, and external reality, I approach the creative process as a simultaneous expression of play and philosophical inquiry, viewing my art as an ever-evolving vessel for exploration and connection. I realized this almost a decade ago, during my fifth and final psychiatric ward stay, when the constant feeling of being misunderstood morphed into an epiphany: channel it all into art.

My emotions and states of being are most accessible to others through art. I've learned to alchemize my past trauma from a childhood tainted by abuse into mixed-media prismatic dreamscapes, often incorporating discarded materials as an ode to the Earth. I ultimately view the dialectical process between concept and creation as an inherent art form in and of itself – even more so than any individual output that society deems to be a ‘work’ of art. I believe that the fundamental art I am creating comes first and foremost in the form of insights, inquiries, and approaches. The tangible artistic forms that materialize emerge from inhabiting such divergent ways of thinking, reflecting the multilayered aspects of reality and perception.

With imaginative inquiry as my preferred apparatus, I gravitate toward lesser-explored conceptual realms that challenge the exploitative systems of power that govern our present. In doing so, I seek to replace these convictions with boundless optimism and a vision of universal cooperation. Through my art practice, I aspire to help cultivate greater levels of compassion, curiosity, and conscious expansion—both in myself and others. I find excitement and liberation in ripping up my art only to completely transform it into something new. This process of destruction, adaptation, and configuration mirrors how I artistically alchemize my own past suffering and the suffering of others that I witness into prismatic forms of optimism, care, and wonderment.”